Shhh… exhibition speaks volumes about the U.S. political climate
World War II propaganda posters displayed in Shhh… (Erin Green/Madison Commons)
It all started with a single poster.
Local artist, and now curator, Peter Kursel, was attending a party in the Riverwest neighborhood of Milwaukee when he noticed a World War II propaganda poster hanging on the wall—it belonged to his son’s roommate.
“A careless word…another cross” framed an image of a white crucifix that indicated a soldier’s grave.
The poster led to an entire collection of similar prints and planted a seed for what would become Shhh…, a multimedia art exhibition currently on view at the Arts + Literature Laboratory located at 2021 Winnebago St., in Madison. The show blends the historical poster collection with contemporary pieces by artists from across the nation, and illustrates how art can construct, critique and contribute to our democracy. It is on view from 12 p.m. to 4 p.m., Tuesday through Saturday, until March 3.
“I didn’t want to create a show in which we’re celebrating World War II culture or just critiquing World War II culture,” said Kursel. “Our goal was to produce a show that did all of those things.”
The title, Shhh…, arose from an overarching message put forth on many of the World War II posters—U.S. citizens were advised to keep quiet about military movements and strategies, out of a general fear that enemies would intercept the information.
Some particularly striking pieces in the exhibition include:
Holly Ballard Martz’s Whitewashed Flag and By Executive Order—a bleached white American flag is hung over a black doormat that reads, “UNWELCOME."
“She literally went through the process of extracting the red, white and blue,” explained Peter. “That, in itself, is a political statement.”
Seattle artist Holly Ballard Martz’s By Executive Order. Above the doormat hangs a bleached white American flag (Erin Green/Madison Commons)
Alex Melamid’s hand-painted posters—blunt phrases are paired with images of anonymous figures physically attacking Donald Trump. Various bottles, spray paint and paint cans rest on pedestals before each poster; their labels read, “Trump Repellant.”
Brooklyn artist Alex Melamid’s Kick His Ass and Trump Repellant (Erin Green/Madison Commons)
And, Kursel’s very own Dicks on Parade—a collage that uses watercolor paintings by surgeon and medical illustrator Frank Netter to depict political leaders.
“I’ve had these series of heads that I’ve painted over the years… and so it just occurred to me that I would start to try and construct a head out of the Netter illustrations,” said Kursel. “As I put one together, I was like ‘Oh my god!’—this one just started looking like Trump.”
Madison artist Peter Kursel’s Dicks on Parade (Erin Green/Madison Commons)
Overall, Kursel has received positive feedback about the exhibition, and a few New York galleries have expressed interest in showing it in the future. However, one particular comment, relayed to him by a friend who attended the opening reception, has stuck with him.
“[Someone] looked at my collage piece and said, ‘This is f’ed up,’” said Kursel. “I took that as a compliment. I think, in a sense, the whole show is really f’ed up and that it’s challenging your sense of what art is. What’s art’s role?”
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