Welcome to the Madison Commons, a website designed to provide news and information about all of Madison's neighborhoods and a crossroads for the discussion of community issues. The name comes from the idea of a village commons, a place for news, talk, debate, and some entertainment, too, that's open to everyone.
This story appeared originally in Simpson Street Free Press [1]. It was written by Michelle Chi, 15.
[2]Imagine a wall. On it is painted a destructive sea with a mountainous tree in the middle. Grimy pollution litters the tree’s roots. Also featured are small white human and animal silhouettes. Elegant flowers gild treetops. Behind these designs are two worlds—human and natural—that depict antagonistic relationships. This wall, these images are more than just fantasy; in fact, this is a real mural that Japanese artist Ikeda Manabu has worked on for the past three years at the Chazen Museum of Art.
Using just a fine-tipped pen, acrylic ink, and a blank canvas, Manabu has created multiple masterpieces. The time he spends creating a single illustration spans anywhere from months to years.
For the past three years, Manabu has worked in the basement of the Chazen Museum in absolute solitude. Here, he sits at a humble table and draws for hours each day. On average, it takes him nearly eight hours to finish a single 4-inch by 4-inch square. Today, his nearly-complete project of four painted panels stands at 10 by 14 feet.
Manabu’s works reflect worlds that exist only in his imagination—worlds in which humans try desperately to control nature, yet to no avail. In Manabu’s mind, humans are merely simple beings in a great universe, but we possess the powerful capacity to hurt nature. This recurring theme is evident in much of Manabu’s earlier works like “Meltdown,” which was the product of inspiration he drew from the Fukushima Daiichi nuclear disaster in 2011.
After he finishes his mural at the Chazen, Manabu will remain in Madison until the end of the school year. And while the Chazen showcased the mural for a brief period after its completion, it is ultimately up to Manabu’s agency to decide the fate of his art.
The mural will tour four different museums in Japan, according to the Chazen's Kirsten Pires.
Those of us at Simpson Street Free Press who have viewed Manabu’s masterpiece encourage everyone who is able to take advantage of this opportunity and pay a visit to the stunning painting. After all, poignant works like this one don’t come along every day!
[3]
*Correction: A previous version of this article stated that Manabu would return to Japan after completion of the mural and that the mural was shown in the Garfield exhibit.
